International Record Review
from: Intl Record Review Ltd
Price: $99.00
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Product Description:
A magazine for those who know their music but who are prepared to be further enlightened, appreciate good sound-reproduction, without the need for gimmicks and who want up-to-date, authoritative comment on the vast number of new and historical classical recordings being released worldwide.
A magazine for those who know their music but who are prepared to be further enlightened, appreciate good sound-reproduction, without the need for gimmicks and who want up-to-date, authoritative comment on the vast number of new and historical classical recordings being released worldwide.
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Customer Reviews
Average Rating:

Rating:
- Probably the best available periodical reviewing classical recordings
I would endorse everything that is said by below by J Scott Morrison."International Record Review", while obviously based on"Gramophone" magazine (it shares the general format and some of the same reviewers), has addressed most of "Gramophone"'s egregious faults.
1. There is far more space devoted to actual reviews of classical recordings (the primary purpose of both magazines), and far more CDs actually get reviewed.
2. Reviewers are not exclusively U.K.-based
... Read More
Rating:
- A New Competitor for 'The Gramophone'
This glossy British classical music magazine that focuses primarily on recordings was founded in 2000 by, I believe, some disgruntled former 'Gramophone' writers. The staff of writers include such well-known reviewers as Martin Anderson, Hugh Canning, Jed Distler, Mortimer H. Frank, Harris Goldsmith, Julian Haylock, Simon Heighes, Robert Layton, Donald Manildi, Andrew Porter, Charles Timbrell, Raymond S. Tuttle, John Warrack and others. As you can see, the writers primarily come from England but there ... Read More
- Probably the best available periodical reviewing classical recordingsI would endorse everything that is said by below by J Scott Morrison."International Record Review", while obviously based on"Gramophone" magazine (it shares the general format and some of the same reviewers), has addressed most of "Gramophone"'s egregious faults.
1. There is far more space devoted to actual reviews of classical recordings (the primary purpose of both magazines), and far more CDs actually get reviewed.
2. Reviewers are not exclusively U.K.-based
... Read More
- A New Competitor for 'The Gramophone'This glossy British classical music magazine that focuses primarily on recordings was founded in 2000 by, I believe, some disgruntled former 'Gramophone' writers. The staff of writers include such well-known reviewers as Martin Anderson, Hugh Canning, Jed Distler, Mortimer H. Frank, Harris Goldsmith, Julian Haylock, Simon Heighes, Robert Layton, Donald Manildi, Andrew Porter, Charles Timbrell, Raymond S. Tuttle, John Warrack and others. As you can see, the writers primarily come from England but there ... Read More
